Trance is a style of electronic dance music developed in the 1990s. Trance music is generally characterized by a tempo of between approximately 128 and 150 BPM, melodic synthesizer phrases, and a musical form that builds up and down throughout a track. Trance is a combination of many forms of electronic music, such as ambient, techno, and house. Trance has been described as "Classical melodies with Jungle rhythms".
The origin of the term "Trance" is ambiguous, with some suggesting that the term is derived from the Klaus Schulze album Trancefer (1981), Amon Düül II's Vive La Trance (1973) (as typified by the track Mozambique),or the early trance act Dance 2 Trance. It's also been noted that trance shares a number of similarities found on Neil Young's electronic Trans album.
In the early 1980s, the German composer Klaus Schulze composed several albums of experimental, atmospheric "space music". Two of his albums from the 1980s include the word "trance" in their titles: Trancefer (1981) and En=Trance (1987).
Some of the earliest identifiable trance recordings came from The KLF, a UK-based acid house group. The most notable of these were the original 1988 / 1989 versions of "What Time Is Love?" and "3 a.m. Eternal", along with "Kylie Said Trance" (1989) and "Last Train to Trancentral" (1990). The KLF labeled these early recordings "Pure Trance". While the KLF's works are clear examples of proto-trance, two songs, both from 1990, are widely regarded as being the first "true" trance records. The first is Age of Love's self-titled debut single which they released in early 1990 and is seen a basis for the original trance sound to come out of Germany, Some consider "The Age of Love" to be the first true trance single. The second track was Dance 2 Trance's "We Came in Peace", the b-side of their own self-titled debut single. Another influential song was Future Sound Of London's "
The trance sound beyond this acid-era genesis is said to have been an off-shoot of
Popular tranceBy the mid-1990s trance, specifically progressive trance, had emerged commercially as one of the dominant genres of dance music. Progressive trance has set in stone the basic formula of modern trance by becoming even more focused on the anthemic bass lines and lead melodies. Compositions continued to contain incremental changes (aka progressive structures), sometimes composed in thirds (as BT frequently does). Meanwhile, a different type of trance, generally called uplifting trance, was becoming popular. Uplifting trance had buildups and breakdowns that were longer and more exaggerated, with more easily identifiable tunes and anthems. Many such trance tracks follow a set form, featuring an introduction, steady build, a breakdown, and then an anthem, a form called "build-breakdown-anthem".
Artists like Tiësto, Armin van Buuren, Paul van Dyk, Robert Miles, Above & Beyond, Darren Tate, Ferry Corsten, Johan Gielen, ATB and Paul Oakenfold came to the forefront as premier producers and remix artists. Many of these producers also DJ'd in clubs playing their own productions as well as those by other trance DJs. By the end of the 1990s, trance remained commercially huge, but had fractured into an extremely diverse genre. Some of the artists that had helped create the trance sound in the early and mid-1990s had, by the end of the decade, abandoned trance completely in favor of more underground sounds - artists of particular note here include Pascal F.E.O.S. and Oliver Lieb. Many trance DJ's are well into their own radio shows broadcast throughout Europe, the